Dorature

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Description of the operations that can be performed for the conservative restoration of a gilded frame or gilded details on sculptures and furniture

- Photographic documentation (before, during, and after the work)

- Facing of loose parts

- Antiseptic treatment against biological attacks (fungi or insects)

- Restoration and consolidation of the wooden support

- Reconstruction of missing parts in wood or plaster

- Consolidation of exposed parts with natural or synthetic materials

- Cleaning of the painted surface of oxidized varnish and surface deposits

- Filling of gaps

- Retouching with watercolors and varnish

- Regilding of gaps if necessary

- Final varnishing

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Oil paintings on canvas

Restoration of easel paintings, oil on canvas and contemporary paintings in oil, tempera or mixed media.

Paintings on panel

The restoration of panel paintings involves targeted interventions on the wooden support and the paint layer, with the aim of preserving their stability and historical value, always supported by thorough technical documentation.

Polychromed and guilded wood sculptures

Restoration of movable works, sculptures in wood. Restoration of polychrome and gilded wooden sculptures. Antiseptic treatment.

Antique furniture and modernariat0

The conservative restoration of antique furniture aims to preserve its structural, aesthetics and historical value, through targeted interventions on the wood, finishes and decorative elements.

Multi-matierial artefacts

Artefacts are often made of many different materials: geographic globes, paintings on glass, fans, lacquered objects...

Oil Paintings on Copper

Paintings on copper are rather common in the European arts from the 16th to the 19th century

Contemporary paintings

Since the 20th century, artists have explored a wide range of materials and painting supports, such as hardboard, cardboard, and plywood, often using recycled objects or materials intended for other uses.

Miniatures on Ivory

Tiny masterpieces, miniatures are extremely delicate and fragile objects that deserve great conservation attention

Condition Reporting

Whenever an artwork moves, for a temporary exhibition or for other reasons, it is always necessary to have its state of conservation verified by a restorer to ensure its safe transportation and to prevent any damage.